As a juror for the 2024 Pulitzer Prize in Fiction. I read tons of novels & story collections (well, 100s of lbs of them, anyway). Beyond the winner and 2 runners-up, I want to shine a light on three excellent books, among the many nominees I deeply dug, by less well-known, less heralded writers. I’m doing this as a 4-part thread, in alphabetical order by author, so in case they get separated, please find and investigate all 3, each is terrific.
*The Ice Harp*, Norman Lock. A poignant, fascinating, thoroughly convincing, stream-of-consciousness novel about Ralph Waldo Emerson. Part of the author’s ongoing, fascinating “American Novels” sequence.
*After World*, Debbie Urbanski. A vividly imagined, quietly devastating tour-de-force of pre-, intra-, and—sneakily, thrillingly—post-apocalypse.
*Dearborn,* Ghassan Zeinnedine. Sly, straight-faced, tenderly wicked humor covers and uncovers histories of pain and loss among the precarious, proud, and fate-buffeted Arab-Americans of the titular Michigan city. A classic American short story collection, drawing back the curtain on a “hidden” subculture and community living in plain sight.
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“It’s easily the most contentious piece of real estate in the world. And there’s no hope—none—of ever talking about it without pissing somebody, if not everybody, off. Maybe that’s why it took me so long to come here, a place where even the names of ordinary things are ferociously disputed. Where does falafel come from? Who makes the best hummus? Is it a fence or a wall? By the end of this episode, I’ll be seen by many as a terrorist sympathizer, a Zionist tool, a self-hating Jew, an apologist for American imperialism, an Orientalist, socialist, fascist, CIA agent, and worse. So here goes nothing.”
Anthony Bourdain, from the 2013 “Jerusalem” episode of Parts Unknown.
I was raised in a non-denominational church—that’s code for ‘we are Christians, but we don’t like the rules of any Christian sect, so we’ll make our own and also choose to be radical fundamentalists’—making my view of the Israeli-Palestinian conflict quite skewed for a long, long time. We were taught that Israel was the Holy Land, the Promised Land, the Land of Milk and Honey, and that every true Christian should go there at least once in their lives to walk in the footsteps of the heroes of the faith.
Oddly, it sounds very similar to the Muslim Hajj, but I digress…
We were also taught that the Jews were the chosen people of God. To speak ill of the Jewish people or to not support Israel was akin to high crimes of treason against the church, unthinkable and unacceptable. Also, we were taught that Muslims and all Palestinians were the enemies of God and essentially the embodiment of Satan and his minions.
Oddly, this rhetoric is similar to any extremist religion, choosing enemies of a God and naming people it’s perfectly acceptable and encouraged to hate. Weird.
However, in the 20-ish years since I left that church and the misguided people in charge and in my ongoing struggle to come to terms with my own faith—plot twist: I think there’s some truth to be found in all religions, including the religion of not being religious—I’ve changed my mind on any number of things, including the Israeli-Palestinian conflict.
Of course, I don’t have an answer. People much smarter and more powerful than me have tried and haven’t come up with a winning solution yet. It’s an old, old problem, tied up in disparate beliefs that form the very core of many people. Emotions run wild on both sides of the battle, giving reason little space to maneuver.
I don’t know that the violence will ever stop. Here’s what I do know: Violence begets violence. If we can’t come to an agreement amongst all parties involved that, at the most basic level, everyone involved is connected on the most basic level of being human and inhabiting the only home we’ll likely ever know, then I see no hope in ending this ridiculous conflict.
Both sides are right, both sides are wrong.
And none of us are the better for it. This conflict represents one of many very difficult conversations we should have with our children and our students. We must have these conversations, make room to talk with disagreeing people, and try to come to some common understanding.
If not, we all lose.
Quote of the Day
“I hope to give my children the opportunity to find what they love to do, work to be great at it, pursue it, and do it. Rather than cover their eyes from ugly truths, I want to cover their eyes from fictional fantasies that will handicap their ability to negotiate tomorrow’s reality. I believe they can handle it.” (Matthew McConaughey, Greenlights)
#1 NEW YORK TIMES BESTSELLER Discover the life-changing memoir that has inspired millions of readers through the Academy Award–winning actor’s unflinching honesty, unconventional wisdom, and lessons learned the hard way about living with greater satisfaction.
Having only recently discovered the Black Pumas, I loved this cover of the Otis Redding classic.
Long Read of the Day
On the eve of the 70th anniversary of Brown v. Board, scholars revealed racial and economic segregation in American public schools has steadily increased throughout the last few decades.
The trend is unsurprising to lawyers and researchers familiar with the challenges of Brown’s implementation, who’ve sounded the alarm that the widespread practice of tying school assignment to childrens’ home addresses has perpetuated segregation.
But one civil rights and education law expert maintains a sense of optimism, offering new ideas for how courts and state legislatures can take on integration efforts.
“There’s a whole lot that they could do if they wanted to,” said University of North Carolina law professor Erika Wilson, “but often states lack the political will.”
Wes Anderson, known for his meticulous craftsmanship in filmmaking, was chosen to direct Montblanc’s commercial for their hundred-year-old Meisterstück writing tool. Filmed in Germany, the short features Anderson, Jason Schwartzman, and Rupert Friend, who portray mountain climbers inspired by Montblanc’s products. The ad transitions from the snowy Mont Blanc to a warm chalet, which required 50 takes. Anderson surprised Montblanc by presenting a prototype pen he designed, the Schreiberling, and requested its production. The company agreed to produce 1,969 pen copies, referencing Anderson’s birth year, 1969. Anderson’s career has evolved from his early days in Rushmore and The Royal Tenenbaums to influencing the film and luxury goods industries.
Final Thoughts
Three. More. Days.
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Montana families are choosing microschools for personalized, learner-centered education. Educators like Christa Hayes are creating small schools focused on outdoor learning and project-based academics. These microschools offer new educational options and a strong sense of community for students.
Covid was the catalyst. When her children’s schools shut down in the spring of 2020, and her college classes went online, Hayes began hearing from parents who wanted tutoring services. She also wanted to help her own three children stay on track academically, and find a way for them to have small, safe social interactions.
In fall 2020, Hayes leased a gym downtown with large garage doors that opened wide, providing for maximum ventilation. She spaced children six feet apart, enabling them to meet in person while working through their remote public school curriculum. In addition, Hayes offered all kinds of enrichment activities, focused on project-based learning and frequent outside expeditions.
176 Pages – 04/08/2018 (Publication Date) – Independently published (Publisher)
The Eclectic Educator is a free resource for all who are passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!
Wes Anderson, known for his meticulous craftsmanship in filmmaking, was chosen to direct Montblanc’s commercial for their hundred-year-old Meisterstück writing tool. Filmed in Germany, the short features Anderson, Jason Schwartzman, and Rupert Friend, who portray mountain climbers inspired by Montblanc’s products.
The ad transitions from the snowy Mont Blanc to a warm chalet, which required 50 takes. Anderson surprised Montblanc by presenting a prototype pen he designed, the Schreiberling, and requested its production. The company agreed to produce 1,969 pen copies, referencing Anderson’s birth year, 1969. Anderson’s career has evolved from his early days in Rushmore and The Royal Tenenbaums to influencing film and luxury goods industries.
The Eclectic Educator is a free resource for all who are passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!
I’m in a weird place as I write this today during the last week of school. The students are in a mad dash to finish everything, with the campus abuzz with field trips, award ceremonies, and the ever-present dread of some disruptive fire alarm going off just to upset the last few days or hours. I mentioned a fire drill since that’s how the last day of my first year of teaching ended. A freshman pulled the fire alarm right as the final bell rang, which made dismissal quite interesting; the high school parking lot was filled with fire trucks, and you had to wonder what the kid was trying to achieve. Everyone was already leaving; the timing was totally off.
As I plan for next year and prepare for my own doctoral work over the summer (yes, I see you, summer classes, and prospectus revision), I’m also thinking about the nuts and bolts of classroom instruction. How can we make small changes in our daily work to transform school from a place students have to be to a place they want to be?
I’ve been immersed in several pieces on music production recently. Had I stayed in the music world, I might have moved into producing.
Remind me to tell you about my musical journeys someday; there are some very good memories and some very, very bad ones.
When you’re recording, everything can affect your mix, including seemingly trivial things like the material of the walls and the amount of air in the space. Trust me, these details matter — just as the lighting and smell of your classroom matter. I’m on this train of thought because Steve Albini, one of the great punk rock producers, passed away recently. I’m thinking about Steve because, like me, he was an extraordinary dork and a feisty curmudgeon.
As much as he loved making music, he hated and questioned much about the music industry. “Surfer Rosa” is arguably one of the greatest rock albums ever, and he hated it, claiming the Pixies were, at best, a mildly entertaining college rock band. And don’t ask him about Steely Dan — just don’t.
Steve wanted to record the music and artists simply and honestly, including the mistakes. “I like to leave room for accidents or chaos,” he wrote to Nirvana when they attempted to hire him to produce the follow-up to “Nevermind.” This mindset is very much like the concerns of a teacher planning engaging learning experiences. Like a teacher, Steve wasn’t in it for the money. He told Nirvana he wanted to be paid like a plumber — doing a good job and getting paid for it — and had no interest in ongoing royalties. (Note: he still made way more than teachers, but hey, it’s the thought that counts.)
I will blame this random train of thought connecting music and school on my end-of-the-year reflection and nostalgia. What I work for every day is implementing simple shifts in our classrooms to make learning more meaningful for kids. It’s one of the reasons I like tools like the 4 Shifts Protocol; it helps facilitate those changes.
You can do all the professional development and coaching cycles in the world with teachers, give them access to every digital platform and tool, and send them to the most prestigious schools and conferences. But until you actually change the focus and intent of what you do in the classroom — from achieving some arbitrary learning goal to ensuring kids know how to choose a life path that works for them and developing those skills — we are always wasting our time, money, and effort.
As Steve said, nobody on Earth could make the Smashing Pumpkins sound like the Beatles. You’re never going to change schools until you change schools. The rest is just bonus points.
You were right if you thought you’d get a Pixies performance today. Here’s “Where is My Mind?” from Glastonbury 2014.
Long Read of the Day
Producers and engineers who use meaningless words to make their clients think they know what’s going on. Words like “Punchy,” “Warm,” “Groove,” “Vibe,” “Feel.” Especially “Punchy” and “Warm.” Every time I hear those words, I want to throttle somebody.
I figured I’d just include a link to Steve Albini’s “The Problem with Music” from 1993 here. It’s a great read and you’ll likely draw some parallels to education.
Video of the Day
While we’re at it, why don’t we take a tour of Steve Albini’s Electrical Audio studio in Chicago? I mean… why not? At about 6:35, you get to see the vent they cut in the floor to combine the air mass of the studio with the room below…
Final Thoughts
School ends on Friday. I wonder how nutty the rest of this week’s newsletters will be…
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An actual photo of the actual state of my books. And this isn’t all of them…
About two years ago, I admitted that I had a book problem. I’ve heard that the first step to overcoming a problem is admitting that you have one.
Plot twist: That didn’t work. I still have a book problem — a major one — and it’s starting to spread to other physical media.
Of course, all the Kindle books are rattling around the cloud because I can’t seem to choose a format and stick with it. Sometimes, I want to hold a physical book, and sometimes, I want to go digital.
Two years ago, my TBR on Goodreads was around 1,500 books. It’s floating around 3,000 now, which I know sounds ridiculous until you learn about the concept of the antilibrary, and then 3,000 books don’t seem like such a big deal.
Here’s the real issue: the school year is coming to a close, and I will have way more time to read than I have in the past few months, so I’m getting a little excited and have books on my mind all the time.
Or, maybe I’m still trying to make up for nearly 20 years of doing what other people thought I should do before figuring things out for myself. Maybe one day, I’ll figure it all out.
Until then, I’ll just keep reading…
Quote of the Day
“Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then the place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors.” -Umberto Eco, The Name of the Rose
Musical Interlude
I love Kacey Musgraves’ voice, and this cover of Keane’s Somewhere Only We Know provides ample room for her vocals.
Long Read of the Day
In our era of electronic communications, we’ve come to expect that important innovations will spread quickly. Plenty do: think of in-vitro fertilization, genomics, and communications technologies themselves. But there’s an equally long list of vital innovations that have failed to catch on. The puzzle is why.
I know you’ve been asking yourself, “I’d love to know they make Japanese swords — from the gathering of the iron sand to the smelting of the steel to the forging of the blade.
If I’ve learned anything in this life, it’s that we creative folk have to stick together. At the heart of it all, we are our own worst critics, thinking that no matter what we do or how amazing it may be, we are totally worthless, and our work is garbage.
Feel free to correct me if you think I’m wrong, but you’re just lying to yourself if you do. You know what evil lurks in the hearts of men, and it is self-loathing.
This is why it’s so important to come out of our little imperfect, introverted turtle shells and interact with others in the world who do what we do. Teachers, hang with other creative teachers—avoid those who hang in the staff lounge and do nothing but gripe about everyone and everything and say that it’s all someone else’s fault—they’ll help you refuel and tackle the world.
Creatives unite! In creative ways, if you can. Yes, unification can come online, regardless of what the experts say (remember, those experts who are telling you to get off your computer and go outside are the same ones who complained about spending too much time on your Nintendo, so clearly, they’re idiots).
Connect with others in whatever form makes sense for you and for them. You’ll be surprised how rich your relationships can be once you find kindred spirits.
My friend Brian is a kindred spirit and inspires me all the time. Brian writes books and comics and does his own illustrations. He’s run several successful Kickstarters. He’s incredibly creative.
And every day, his body is trying its very best to kill him. On many days, Brian can hardly breathe. But he soldiers on, day after day, breath after breath, doing his best to do what he was born to: create cool stuff.
He had to cut back on drawing because it took too much energy and breath, so he switched to writing his dreams. And now, he’s almost ready to launch another Kickstarter for the prose edition of his first epic, Memoirs of an Angel.
I’ve supported every Kickstarter and support Brian on a monthly basis through his Patreon. It’s certainly not much, but, like I said, we creative types gotta stick together. I’m supporting a friend and putting a little good karma out in the world for when I launch my own Kickstarter someday.
Yesterday, a little of that karma came back. Brian shared the dedication page for Memoirs of an Angel: The Grey Pilgrim, and wouldn’t you know it? Somehow, I got the honor of making the list.
Pretty flippin’ cool, if I say so myself. The goal and intention of supporting Brian wasn’t to get a mention in the book, it was to support creativity in the world because we need more creativity in the world.
You have something to give the world. Get busy. Show your work. Show your struggles. Show others that they have something inside of them to share, just like you do.
If we can do that, I believe we’ll make a better world for everyone.
Quote of the Day
“You have to be curious about the world in which you live. Look things up. Chase down every reference. Go deeper than anybody else—that’s how you’ll get ahead.” (Austin Kleon, Steal Like an Artist)
David Gray had an absolute stranglehold on the pop music airwaves in 2000. His album, White Ladder, which he’d initially released on his own —he’d even recorded it in his London flat—was re-released on Dave Matthews’ ATO Records and man, did it ever hit.
Babylon was the biggest hit from White Ladder and it’s a great song, but Please Forgive Me is the bop that you can’t get out of your head.
More than twenty years later, this song still slaps, especially when your drummer is a talent like Clune (who goes off on an incredible riff around the 2-minute mark), and you’ve got the BBC orchestra backing you up.
Crank this one and get up and dance in your office.
Long Read of the Day
“No stupid literature, art or music lasts.”
That’s a quote from literary critic George Steiner (1929-2020)—in his highly recommended book Real Presences from 1986.
I was shocked when I read that sentence. But pleasantly shocked.
Could it really be true that all the sonic detritus circulating in our culture will just magically disappear? It seems too good to be true.
Speaking of Hunter S. Thompson, his good friend Ralph Steadman created many illustrations alongside Thompson’s writing. Steadman’s art is pretty iconic. Here’s a glimpse into his work and signature style:
Final Thoughts
Spring storm season in Kentucky is stressful and seems to be getting worse every year, regardless of your political stance. Last night, several large thunderstorms marched through the area, bringing with them tornadoes.
Stay safe and keep your family close, friends. Heed warnings and don’t try to be a storm watcher, leave that to the experts.
The Eclectic Educator is a free resource for all who are passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!
Living in the Southern United States during the months of April and May is, to be quite honest, one of the most ill-informed choices a human being can make, especially for those of us suffering from seasonal allergies.
I mean, when you can wash your car and come back out to it a few hours later to be greeted by a powdery covering of yellowish-green stuff that is often a little sticky and definitely irritating, you know that you’ve made poor life choices.
But that same yellowish-green stuff is the sign of life returning to the world. My grass is the greenest of greens right now, thanks to more than enough rain and the nearly perfect fertile ground that covers much of Kentucky. I love looking at the world around me, but OH MY GOD, CAN WE GET SOME SUPER-SIZED AIR FILTERS FOR ALL THE POLLEN?
Ah well, such is the life of a Kentucky boy. All allergies and longing for time spent in the woods. Time for more nasal spray…
Quote of the Day
“The world only cares about—and pays off on—what you can do with what you know (and it doesn’t care how you learned it).” (George Couros, The Innovator’s Mindset)
Musical Interlude
It’s September 1986, and I’m just nine years old. My summer had been absolutely destroyed by two things: my family moved from Campbellsville, KY, to Elizabethtown, KY (there’s a movie about this place that is great, but not because they portrayed E-town properly), and Optimus Prime died in the Transformers movie.
Even now, it’s difficult to say which event was more traumatic.
Regardless, this song hit the radio waves, whether it was Q104 in Campbellsville or WQXE in E-town, and I loved it. The simple melodies combined with the incredible piano lead hit me. Of course, I didn’t understand the lyrics then, but they stuck with me.
Hornsby has said he wanted to create a sense of place with the song lyrics, providing a snapshot of small-town life in Virginia. Much like Springsteen with New Jersey or Mellencamp with Indiana, Hornsby wanted to take listeners to Virginia and talk with them about racism.
I’m quite certain that’s exactly what he accomplished, and given the song’s enduring legacy in the nearly 40 years since its release, many millions have had the chance to talk about it and its meaning.
And that enduring legacy has reached beyond the pop and rock genres with many artists covering or sampling portions of The Way It Is for their own hits, most famously done by Tupac Shakur with Changes.
There’s not a version of The Way It Is that I don’t enjoy, but this one from BBC 2 Radio is quite good. The orchestra adds something special to Hornsby’s iconic piano.
Long Read of the Day
In the late 18th century, officials in Prussia and Saxony began to rearrange their complex, diverse forests into straight rows of single-species trees. Forests had been sources of food, grazing, shelter, medicine, bedding and more for the people who lived in and around them, but to the early modern state, they were simply a source of timber.
So-called “scientific forestry” was that century’s growth hacking. It made timber yields easier to count, predict and harvest, and meant owners no longer relied on skilled local foresters to manage forests. They were replaced with lower-skilled laborers following basic algorithmic instructions to keep the monocrop tidy, the understory bare.
Information and decision-making power now flowed straight to the top. Decades later when the first crop was felled, vast fortunes were made, tree by standardized tree. The clear-felled forests were replanted, with hopes of extending the boom. Readers of the American political anthropologist of anarchy and order, James C. Scott, know what happened next.
It was a disaster so bad that a new word, Waldsterben, or “forest death,” was minted to describe the result. All the same species and age, the trees were flattened in storms, ravaged by insects and disease — even the survivors were spindly and weak. Forests were now so tidy and bare, they were all but dead.
The Internet as we know it now has become a little too well-maintained and planned. We’re not seeing the true purpose of this amazing tool; in fact, we’re moving further and further from that original purpose.
Not to get into a huge debate here, but I will talk about AI. As a tech guy, I know all sides of every argument around the arrival of Generative AI tools like ChatGPT, DALL-E, and more. Yes, there are some very clear ethical issues attached to the usage of these tools, especially in the creative world.
However, there are very valid uses of the technology, provided we operate on the assumption that we are human beings and should treat everyone as such. We should only use AI tools to better ourselves or our work and NOT use AI as some all-encompassing replacement for the creativity of the human spirit.
This week on CBS Sunday Morning, Randy Travis got a feature. Travis, an award-winning, massively successful, Hall of Fame country music artist, suffered a stroke in 2013. Given only a 2% chance to live, Travis has battled against the odds and is still with us more than a decade later. However, the portions of his brain tasked with speech and singing were the most damaged by the stroke. His singing career was essentially over.
Until some folks thought about all the voice-generating tools powered by AI that create something that sounds a little like a famous artist but without any of the heart, passion, or humanity behind their voice. They decided that there must be a way to use these tools responsibly and help Randy Travis get his voice back.
Trust me, you’re going to need Kleenex for this one.
Final Thoughts
Admittedly, I’ve switched to publishing daily thoughts as a bit of an experiment. I’m trying to force myself to push out more content to continue developing my writing practice. However, I don’t ever want to get to a place where I’m publishing just for the sake of publishing. Veteran web publisher and all-around genius Om Malik recently talked about excessive activity leading to average quality, especially in the online world as the almighty algorithms continue to dominate. Cory Doctorow talks about the ‘enshittification’ of everything and I certainly see that on every social platform out there.
So, I’ll keep publishing daily but promise to remain vigilant about content quality. Yes, I like to share my thoughts, but I don’t want to share without providing value or insight. Only add good things to the world friends, never take away.
The Eclectic Educator is a free resource for all who are passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!
I’ve come to grips with something that will be very helpful when working with teachers and students going forward. I’ve come to understand that my brain works a little differently than others regarding visualization.
I had just assumed that everyone sees images or even films playing in the inner theatre of the mind when thinking about events in the past or even as they tell a story. If I’m saying something about something I did or somewhere I went, I can very easily see the events unfold in my mind like I’m watching a movie.
I just assumed this is what everyone did when accessing memories. And, of course, I was hopelessly, completely wrong.
When I write a story and share it with my wife, I often say to her, “I just write the movie playing in my head.”
I don’t know how much that ability affects designing lesson plans or professional development activities for teachers, but I imagine that it does. Some people just can’t do it. I have to come to terms with how they see the world and how they process memories because they are not like me.
Yet again, I’m learning that you must learn the experiences of others before you can truly understand how they see the world, even in the world of their own mind. More on this in a bit.
Quote of the Day
“When you appeared in this world, you cried, and all the people around you rejoiced. You have to live your life in such a way that when you leave this world, you will rejoice, and all the people around you will cry.” (Leo Tolstoy and Peter Sekirin, A Calendar of Wisdom)
Musical Interlude
I have these five questions I ask people when I’m getting to know them; questions I stole directly from super music producer David Foster. The first question is simply, “Beatles or Stones?”
I may have to change that at some point, but while I have a healthy appreciation for the Beatles, I know I’ve found my people when I hang around those who answer Stones.
Of course, I’m speaking of the Rolling Stones. They are brilliant, with just enough bluesy rock to really get the adrenaline flowing and settle into a great jam.
Here’s a performance from the Tokyo Dome in 1990:
Long Read of the Day
Hyperphantasia, or intense visual imagery, can teach us about creativity and mental health. People like me, with hyperphantasia, can imagine things very clearly, sometimes blending our thoughts with what we see around us. This could change how we think about mental health.
On the other hand, aphantasia is when you can’t picture things in your mind. People with aphantasia think and remember things without seeing pictures, which differs from the bright images of hyperphantasia. While hyperphantasia can make creative work more vibrant, aphantasia can lead people to jobs where they don’t need to imagine things visually.
Studying these conditions can show how they affect jobs and mental health. People with hyperphantasia might remember past events very clearly, which can strengthen their feelings. However, people with aphantasia might find it hard to do tasks that require imagination or memory because they can’t use visual images to help them remember things.
In this interview, Paul Auster, who recently passed away, discusses his journey to becoming a writer, triggered by a childhood memory of a missed autograph from baseball player Willie Mays. This event led him to always carry a pencil, symbolizing his readiness and later influencing his writing decision. Auster reflects on his early struggles with writing, where he amassed numerous unfinished manuscripts, viewing them as an apprenticeship for his later success. He emphasizes the laborious nature of his writing process, often rewriting a single page multiple times to achieve the perfect rhythm and fluidity, likening it to composing music.
This is a great video to share with your young writers, or if you have that writing itch you need to scratch yourself, take heed.
Final Thoughts
Sitting next to me is quite possibly the greatest shirt I’ve ever purchased. It just arrived in the mail today. If you think you can handle the awesome, perhaps I will share it with you tomorrow.
The Eclectic Educator is a free resource for all who are passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!
Andor is one of the great achievements in the Star Wars canon. Stellan Skarsgård’s monologue on what he’s sacrificed in the episode “One Way Out” is one of the finest two minutes in acting.
