In this interview, Professor Rose Luckin, a pioneer in integrating artificial intelligence (AI) with education, shares insights on the ethical dimensions of AI deployment in education, emphasizing the importance of ethical AI and its potential to support learner-centered methodologies. She discusses the challenges and opportunities generative AI presents in assessment, learning, and teaching, highlighting the need for robust partnerships between educators and technology developers.
Professor Luckin stresses the importance of integrating AI into education with carefully crafted ethics and governance frameworks to maximize its potential benefits while mitigating risks. The paper discusses AI’s evolving role in education and the critical need for lifelong learning. It underscores the imperative of ongoing research and collaborative efforts to navigate AI’s significant dangers and opportunities in education.
Here’s another interview with Professor Luckin on AI and Education in the 21st Century:
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“It would be nice if all of the data which sociologists require could be enumerated because then we could run them through IBM machines and draw charts as the economists do. However, not everything that can be counted counts, and not everything that counts can be counted.”
William Bruce Cameron
If there was a better quote for how many schools assign grades to student work, I don’t know what it might be.
Yes, the US’s most popular form of grading still uses letter grades. I know I know, those letters have numbers assigned to them to make it easy for teachers to score.
But who decided what the numbers meant, and why is the range for failure so huge compared to everything else?
Normally, on a 100-point grading scale, more than half of the “numbers” give you a failing grade.
Really? Can we finally admit that, much like Whose Line is it Anyway, the points don’t matter?
Authentic work, the goal so many of us in education are working toward, isn’t easy to “count,” no matter how you frame it.
But the skills students learn when they are presented with real problems and shared with a real audience absolutely count.
Count what counts, leave the rest to the number-crunchers.
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This semester, I’m in a class called “Leadership for Creative Problem Solving,” with the ever-impressive Mary John O’Hair leading our group. We’ve talked a lot about what it means to be creative, specifically in the land of educational leadership, but my conversations always come back around to finding ways to be creative and flexing those muscles.
In my attempts to follow Austin Kleon’s advice and show my work, in our final discussion board post–something else I’ve tried to spice up this semester because oh my god can discussion boards be an absolute pain in the you know what and I wouldn’t wish them on my worst enemy but understand why we have to do them–we were asked to share an article or video we found in our studies on creativity and leadership.
It’s not a great usage case for setting up your own publiccommonplacebook, but it works.
One of my peers, an excellent educator and union leader, made a comment about not knowing how I do it all.
I don’t know either, I just do it. And I think that’s the key.
Creativity is an act of repetition and drudgery. Rarely, if ever, do the clouds of your mind part, allowing rays of glorious creative inspiration to bombard your brain with ideas. Nor is there an “idea factory” in Schenectady, NY, offering a subscription idea service–but that never stopped Harlan Ellison from telling people there was.
No, creativity is backbreaking, mind-numbing, and difficult. It should be difficult. It should be work. It should take something out of you and make you pause multiple times throughout the act of creating. It should make you think and it should make you question your life choices.
But, creating is what we were born to do. And everyone has something different to create, something different to express their unique gifts.
And being creative is something we must do often. Daily, as a matter of fact. Stephen King talks about writing 2,000 words a day, no matter what. Ryan Holiday says to “two crappy pages a day” to progress toward your goal.
One of the best rules I’ve heard as a writer is that the way to write a book is by producing “two crappy pages a day.”
It’s by carving out a small win each and every day—getting words on the page—that a book is created.
It isn’t all going to be pretty–trust me, it’s not–and you’re going to get frustrated. Teachers, you’ll always be improving lessons. Students, you’ll always be thinking about how you can improve that last bit of work.
Each of us has a gift and someone is waiting for us to share that gift with the world.
Let’s do this.
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Happy first (partial) week of spring here in the Northern Hemisphere—our southern neighbors rejoice as they head into my favorite time of year…
I’ve walked around most of this week not knowing what day it was or just being off a day. I’m quite certain this is all due to still recovering from the nonsense of daylight savings time (because we’re not saving anything). Yet, we move along into the vast unknown of tomorrow.
Also, has anyone else adjusted their reading goal for the year? I’m really behind and am not sure I can catch up with all that life brings my way. But, recognizing your limits is key and knowing that the only person I’m competing against is myself is also helpful when I feel defeated.
Anyway, here are 10 cool things I wanted to share this week:
As usual, I’ve gone down another musical rabbit hole that began with finding the amazing Hermanos Gutiérrez and has taken me into some very chill musical vibes. If you need a nice smooth start to your day, I have some great finds for you.
I’m always on the hunt for new creatives and curious to see their creative processes. This week, I found Jacob Collier by way of Matt Mullenweg of WordPress fame. Collier joins Paul Davids in this video to discuss learning to play the guitar, tweaking the rules, and changing everything to suit your style.
Speaking of doing the work of learning and creativity, what if you made your classroom or workspace a living display of your creativity like Lynda Barry?
That’s it for this week. The Spring Break edition will arrive in your inbox next week.
P.S. – I’m going through all my old comics lately and am amazed at some of the ads. Here’s this one with a cameo from Vincent Price to make your own shrunken head…
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There is no substitute for doing the work, whatever your work may be. Put in the time, mastery will come.
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Finding a definitive answer to how most U.S. teachers teach is difficult for various reasons. There are over 13,000 school districts in the U.S., with almost 100,000 schools and 3.2 million teachers, making it hard to track how each teacher teaches.
University researchers play a significant role in discovering this information, but very few such professors do this, and it takes time to observe classrooms and gather data.
Well, whose job is it to find out how most U.S. teachers teach? University researchers. Sadly, there are too few such professors who do exactly that and those that do seldom write articles or books that become “must reads” for teachers and the general public.
However, some studies and surveys have relied on direct observations, teacher self-reports of classroom instruction, teacher autobiographies, and historical records of classroom lessons to find out how U.S. teachers teach.
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The more you dive into creative work, the more creative you are. It’s like building a muscle.
Keep flexing that muscle, and it will grow until you reach a plateau, causing you to search for a new challenge. Creating is no different; you’re just flexing different muscles.
Musicians know this, as they can see the direct result of hours of focused practice months later in new skills and abilities on their instrument, or perhaps even on a new instrument.
Enter Jacob Collier.
Collier, who experienced viral stardom through his YouTube channel in the early 2010s, now regularly collaborates with some of the biggest names in the music industry.
At some point, he decided to pick up the guitar and transfer his piano skills to a new instrument. When he did, something interesting happened.
In this video with Paul Davids, Collier describes learning to play on his first guitar, which had only four strings, like a mandolin. Because of his love of tight harmonies, Collier eventually spoke with Taylor Guitars to craft a 5-string guitar rather than the typical 6-string layout.
The results? Something utterly new and beautiful. But, Collier admits that he doesn’t think of himself as a guitar player because he doesn’t play like a trained guitar player.
“I couldn’t play the guitar, but I would imagine playing the guitar,” Collier notes as he explains his learning process. He admits that he doesn’t follow many of the guitar-playing rules.
Davids, the host and an accomplished guitar player himself tells Collier, “If you don’t like a rule, tweak it… change everything to what suits you.”
If we could grasp that statement and put it into practice with our students, I think we’d see some amazing things come out of our schools. How often do we ask our students (and ourselves) to do things that don’t fit naturally with how we think, act, or create? Why do we continually try to force everything in education to fit into a box?
Sometimes, we allow “tradition” to dictate our work far too much. Remember, tradition is just peer pressure from dead people.
On Not Knowing the Way But Doing It Anyway
Collier talks about hanging with Joni Mitchell–yes, that Joni Mitchell–and watching her play guitar. She plays chords she doesn’t know, but her fingers and ears let her find the right ones to play, making something new.
This idea of not really knowing what you’re doing as you create isn’t new and certainly isn’t exclusive to educators trying to change their teaching practice for a different generation of learners.
Paul McCartney, one of the most well-known songwriters in the history of songwriters, said in a 2016 interview:
“There is no sort of point you just think, ‘Okay, now I can do it, I’ll just sit down and do it.’ It’s a little more fluid than that. You talk to people who make records or albums and you always go into the studio thinking, ‘Oh, well I know this! I’ve got a lot of stuff down, you know, I write.’ And then you realize that you’re doing it all over again you’re starting from square one again. You’ve never got it down. It’s this fluid thing, music. I kind of like that. I wouldn’t like to be blasé or think, ‘Oh you know I know how to do this.’ In fact I teach a class at a the Liverpool Institute High School for Boys — I do a little songwriting class with the students — and nearly always the first thing I go in and say [is], ‘I don’t know how to do this. You would think I do, but it’s not one of these things you ever know how to do. You know I can say to you: Select the key. We will now select a rhythm. Now make a melody. Now think of some great words,’ That’s not really the answer.”
Paul McCartney on songwriting
So, fearless educators, if someone like McCartney doesn’t have it figured out yet and still doubts his abilities to write songs, I think we’re doing alright as we face the productive struggle of creating new ways to do things in our schools.
Final Thoughts
I’ve often said that educators must be some of the most creative people on the planet. Every day, we face different situations, needs, and demands as we do our best to prepare students for a future we don’t know.
Maybe we should worry less about getting it all right and feel great about diving into new adventures and figuring it out as we go.
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Jisc, a technology organization in the UK, has compiled a selection of resources to support different stages of AI maturity, including strategic resources, supporting students and learners, supporting staff, maintaining academic integrity, safe responsible use, and AI tools. The resources include blogs, reports, videos, podcasts, and training courses covering generative AI, accessibility, assessment, bias, ethics, and AI tools. Jisc is also developing new resources to support the move to the operational stage, such as pre-procurement selection criteria for generative AI tools and a generative AI skills training program for staff.
Thanks for taking the time to read this post. If you’ve enjoyed the insights and stories, consider showing your support by subscribing to my weekly newsletter. It’s a great way to stay updated and dive deeper into my content. Alternatively, if you love audiobooks or want to try them, click here to start your free trial with Audible. Your support in any form means the world to me and helps keep this blog thriving. Looking forward to connecting with you more!
Learning to say “no” more often is a primary driver of success. We all have only so much bandwidth to dedicate to projects. Choosing not to do something or having no opinion about it leads to more productivity and less stress.
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The only thing of real importance that leaders do is to create and manage culture. If you do not manage culture, it manages you, and you may not even be aware of the extent to which this is happening.
I’m reading An Uncommon Theory of School Change for a class, and the image text struck me. Actually, it knocked me to the floor.
Specifically, the idea of “shared assumptions” among a school’s teachers and staff. Every organization has these shared assumptions, and they all influence how the day-to-day functions of the organization, specifically in defining the organization’s culture, as Ed Schein explained.
So, why are these shared assumptions important in our schools?
Easy: they play a large part in how students learn. If teachers have decided, perhaps with the best of intentions, that “our kids can’t do that“–whatever that is–then it’s highly likely that the kids won’t do that.
(Somehow, this has turned into a bad commentary on one of Meat Loaf’s greatest hits…)
Part of our work to change schools should involve a hard look at our shared assumptions and, perhaps, some adjustments to those assumptions.
After all, you know what happens when you assume something…
Thanks for taking the time to read this post. If you’ve enjoyed the insights and stories, consider showing your support by subscribing to my weekly newsletter. It’s a great way to stay updated and dive deeper into my content. Alternatively, if you love audiobooks or want to try them, click here to start your free trial with Audible. Your support in any form means the world to me and helps keep this blog thriving. Looking forward to connecting with you more!
