Google Sheets now offers one-click tables for easier data formatting, a feature Excel users have long enjoyed. Users can quickly convert data into organized tables with filters and sorting options. The update includes pre-set formatting options and group-by-views for efficient data management.
What Google has created here looks a little bit like the AI-generated tables from its I/O developer conference this week but perhaps a little more power user-focused, and you don’t need its Gemini integration. If the new feature has hit your account already, you can try it by selecting a block of data and clicking Format > Convert to table.
Google introduced Veo, an AI video generator, at Google I/O 2024, capable of creating HD videos from text prompts like OpenAI’s Sora. Veo can edit videos from written instructions and generate cinematic effects, but it’s not widely available yet. Google plans to integrate Veo’s features into YouTube Shorts and other products, emphasizing responsible content creation with watermarking and safety filters.
Google says that Veo builds upon the company’s previous video-generation models, including Generative Query Network (GQN), DVD-GAN, Imagen-Video, Phenaki, WALT, VideoPoet, and Lumiere. To enhance quality and efficiency, Veo’s training data includes more detailed video captions, and it utilizes compressed “latent” video representations. To improve Veo’s video-generation quality, Google included more detailed captions for the videos used to train Veo, allowing the AI to interpret prompts more accurately.
Veo also seems notable in that it supports filmmaking commands: “When given both an input video and editing command, like adding kayaks to an aerial shot of a coastline, Veo can apply this command to the initial video and create a new, edited video,” the company says.
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Steven Downes from the Digital Technologies Research Centre of the National Research Council of Canada.
Dr. Valerie Irvine from the University of Victoria.
Brian Lamb, Director of Learning Technologies at Thompson Rivers University.
Dr. David Wiley, Chief Academic Officer at Lumen Learning.
Key Topics and Insights
Current State of Open Education
Steven Downes kicked off the discussion by emphasizing the influence of artificial intelligence (AI) on open education. He argued that generative AI has the potential to create and enhance open educational resources (OER), moving beyond traditional static resources to dynamic, AI-generated content that can adapt and respond to student needs in real time.
Challenges and Opportunities
Valerie Irvine highlighted the significant challenge of institutional culture change. She stressed that despite the proven benefits of open education, widespread adoption requires a concerted effort to shift mindsets at administrative and faculty levels. She also pointed out the potential for open education to support social justice and equity in learning, advocating for open access to research and teaching resources to foster broader educational impacts.
Brian Lamb expressed concerns about the commercialization and centralization of digital platforms, which can stifle the creative and collaborative spirit of open education. He reminisced about the early days of the open web, where blogs and wikis fostered a rich exchange of ideas and resources. Brian emphasized the need to build capacity for open practices within educational institutions to reclaim some of that lost potential.
David Wiley provided a perspective from the U.S., discussing how generative AI could transform access to expertise. He noted that while the initial focus of open education was on access to materials, the future could see AI providing real-time, personalized support to learners, thereby expanding educational opportunities even further. He also touched on the importance of integrating open practices with AI to ensure that educational tools remain accessible and beneficial.
Future Directions
The panelists agreed that integrating AI into education presents both opportunities and challenges. They discussed the need for robust systems to ensure the accuracy and reliability of AI-generated content. Steven Downes pointed out that, while AI can be a powerful tool, it must be developed and used within ethical frameworks to avoid perpetuating existing biases and inequalities.
Institutional Support for Open Education
A key theme was the role of institutions in supporting open education. The panelists called for more institutional support for open educational practices, including funding, resources, and recognition of the value of openness. Valerie Irvine and Brian Lamb highlighted the successful models of BCcampus and eCampusOntario as examples of how institutional collaboration can drive the adoption of open education.
Conclusion
The session concluded with a call to action for educators, administrators, and policymakers to embrace the potential of open education and AI. The panelists urged a collective effort to foster a culture of openness, support innovative teaching practices, and ensure that the benefits of these advancements are accessible to all learners.
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Earlier this week, Austin Kleon sent out a wonderful article about the things we love and live with, especially all the little things we keep around our workspaces and homes that help keep us sane.
I started thinking about all the trinkets I keep around me and realized that I keep a metric buttload of stuff, some of it useful, some of it for inspiration, and some of it just because.
For instance, on top of my desk at home, I have a number of themed Mr. Potato Heads because they make me smile. But amid them, there is a Batman action figure from the 1989 Tim Burton film.
Of all the toys I had in my younger days, that one has been with me through move after move, relationship after relationship. Sometimes a space doesn’t really feel like mine until I have Batman standing silent guard over all.
Pictures and drawings from my daughter and wife also hang around, as do several creations from former students.
Several versions of Iron Man lay scattered about, along with more pens, pencils, and markers than should be acceptable for someone in his late 40s.
I also keep several quotes taped up around me as reminders and inspiration. They include:
I also have a copy of this print from Ryan Holiday featuring a great Hemingway quote hanging next to my desk at home.
Oh, of course, there’s also my growing book collection (because I’m totally embracing the antilibrary theory).
Each item has some meaning for me, whether sentimental or silly and helps make my little areas of the world truly ‘mine.’
So, my question to you today is, “What do you keep around that makes a space truly yours?”
“When we do the work for itself alone, our pursuit of a career (or a living or fame or wealth or notoriety) turns into something else, something loftier and nobler, which we may never even have thought about or aspired to at the beginning. It turns into a practice.” (Steven Pressfield, Turning Pro)
Musical Interlude
Since my friend, John Nash, is in Las Vegas for the opening of Dead & Company at the Sphere, here’s a live performance of Sugaree from a few years ago.
Long Read of the Day
If you are holding a day job while you are writing your novel or poetry in the evenings after the kids have gone to sleep or the dishwasher has been unloaded or various tasks for the next morning have been completed, please do not be disheartened. Of course, writers need more space and support mechanisms of their own. This was clearly outlined by Virginia Woolf in her A Room of One’s Own. But my point is, if at this moment of your life, for whatever reason, you cannot completely dedicate your time to writing and have to do other things alongside, do not allow anyone make you feel like you are not a serious author.
We are storytellers. We are lovers of literature. We do not need labels or boxes. We are writers and that is all there is to it.
If you haven’t heard, Francis Ford Coppola has a new movie he’s hoping to release soon. It looks bonkers. I hope someone picks it up and releases it because I want to see exactly how bonkers it is. I also hope Coppola is able to make some of his money back since he funded the film himself.
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As a juror for the 2024 Pulitzer Prize in Fiction. I read tons of novels & story collections (well, 100s of lbs of them, anyway). Beyond the winner and 2 runners-up, I want to shine a light on three excellent books, among the many nominees I deeply dug, by less well-known, less heralded writers. I’m doing this as a 4-part thread, in alphabetical order by author, so in case they get separated, please find and investigate all 3, each is terrific.
*The Ice Harp*, Norman Lock. A poignant, fascinating, thoroughly convincing, stream-of-consciousness novel about Ralph Waldo Emerson. Part of the author’s ongoing, fascinating “American Novels” sequence.
*After World*, Debbie Urbanski. A vividly imagined, quietly devastating tour-de-force of pre-, intra-, and—sneakily, thrillingly—post-apocalypse.
*Dearborn,* Ghassan Zeinnedine. Sly, straight-faced, tenderly wicked humor covers and uncovers histories of pain and loss among the precarious, proud, and fate-buffeted Arab-Americans of the titular Michigan city. A classic American short story collection, drawing back the curtain on a “hidden” subculture and community living in plain sight.
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“It’s easily the most contentious piece of real estate in the world. And there’s no hope—none—of ever talking about it without pissing somebody, if not everybody, off. Maybe that’s why it took me so long to come here, a place where even the names of ordinary things are ferociously disputed. Where does falafel come from? Who makes the best hummus? Is it a fence or a wall? By the end of this episode, I’ll be seen by many as a terrorist sympathizer, a Zionist tool, a self-hating Jew, an apologist for American imperialism, an Orientalist, socialist, fascist, CIA agent, and worse. So here goes nothing.”
Anthony Bourdain, from the 2013 “Jerusalem” episode of Parts Unknown.
I was raised in a non-denominational church—that’s code for ‘we are Christians, but we don’t like the rules of any Christian sect, so we’ll make our own and also choose to be radical fundamentalists’—making my view of the Israeli-Palestinian conflict quite skewed for a long, long time. We were taught that Israel was the Holy Land, the Promised Land, the Land of Milk and Honey, and that every true Christian should go there at least once in their lives to walk in the footsteps of the heroes of the faith.
Oddly, it sounds very similar to the Muslim Hajj, but I digress…
We were also taught that the Jews were the chosen people of God. To speak ill of the Jewish people or to not support Israel was akin to high crimes of treason against the church, unthinkable and unacceptable. Also, we were taught that Muslims and all Palestinians were the enemies of God and essentially the embodiment of Satan and his minions.
Oddly, this rhetoric is similar to any extremist religion, choosing enemies of a God and naming people it’s perfectly acceptable and encouraged to hate. Weird.
However, in the 20-ish years since I left that church and the misguided people in charge and in my ongoing struggle to come to terms with my own faith—plot twist: I think there’s some truth to be found in all religions, including the religion of not being religious—I’ve changed my mind on any number of things, including the Israeli-Palestinian conflict.
Of course, I don’t have an answer. People much smarter and more powerful than me have tried and haven’t come up with a winning solution yet. It’s an old, old problem, tied up in disparate beliefs that form the very core of many people. Emotions run wild on both sides of the battle, giving reason little space to maneuver.
I don’t know that the violence will ever stop. Here’s what I do know: Violence begets violence. If we can’t come to an agreement amongst all parties involved that, at the most basic level, everyone involved is connected on the most basic level of being human and inhabiting the only home we’ll likely ever know, then I see no hope in ending this ridiculous conflict.
Both sides are right, both sides are wrong.
And none of us are the better for it. This conflict represents one of many very difficult conversations we should have with our children and our students. We must have these conversations, make room to talk with disagreeing people, and try to come to some common understanding.
If not, we all lose.
Quote of the Day
“I hope to give my children the opportunity to find what they love to do, work to be great at it, pursue it, and do it. Rather than cover their eyes from ugly truths, I want to cover their eyes from fictional fantasies that will handicap their ability to negotiate tomorrow’s reality. I believe they can handle it.” (Matthew McConaughey, Greenlights)
#1 NEW YORK TIMES BESTSELLER Discover the life-changing memoir that has inspired millions of readers through the Academy Award–winning actor’s unflinching honesty, unconventional wisdom, and lessons learned the hard way about living with greater satisfaction.
Having only recently discovered the Black Pumas, I loved this cover of the Otis Redding classic.
Long Read of the Day
On the eve of the 70th anniversary of Brown v. Board, scholars revealed racial and economic segregation in American public schools has steadily increased throughout the last few decades.
The trend is unsurprising to lawyers and researchers familiar with the challenges of Brown’s implementation, who’ve sounded the alarm that the widespread practice of tying school assignment to childrens’ home addresses has perpetuated segregation.
But one civil rights and education law expert maintains a sense of optimism, offering new ideas for how courts and state legislatures can take on integration efforts.
“There’s a whole lot that they could do if they wanted to,” said University of North Carolina law professor Erika Wilson, “but often states lack the political will.”
Wes Anderson, known for his meticulous craftsmanship in filmmaking, was chosen to direct Montblanc’s commercial for their hundred-year-old Meisterstück writing tool. Filmed in Germany, the short features Anderson, Jason Schwartzman, and Rupert Friend, who portray mountain climbers inspired by Montblanc’s products. The ad transitions from the snowy Mont Blanc to a warm chalet, which required 50 takes. Anderson surprised Montblanc by presenting a prototype pen he designed, the Schreiberling, and requested its production. The company agreed to produce 1,969 pen copies, referencing Anderson’s birth year, 1969. Anderson’s career has evolved from his early days in Rushmore and The Royal Tenenbaums to influencing the film and luxury goods industries.
Final Thoughts
Three. More. Days.
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Montana families are choosing microschools for personalized, learner-centered education. Educators like Christa Hayes are creating small schools focused on outdoor learning and project-based academics. These microschools offer new educational options and a strong sense of community for students.
Covid was the catalyst. When her children’s schools shut down in the spring of 2020, and her college classes went online, Hayes began hearing from parents who wanted tutoring services. She also wanted to help her own three children stay on track academically, and find a way for them to have small, safe social interactions.
In fall 2020, Hayes leased a gym downtown with large garage doors that opened wide, providing for maximum ventilation. She spaced children six feet apart, enabling them to meet in person while working through their remote public school curriculum. In addition, Hayes offered all kinds of enrichment activities, focused on project-based learning and frequent outside expeditions.
176 Pages – 04/08/2018 (Publication Date) – Independently published (Publisher)
The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!
Wes Anderson, known for his meticulous craftsmanship in filmmaking, was chosen to direct Montblanc’s commercial for their hundred-year-old Meisterstück writing tool. Filmed in Germany, the short features Anderson, Jason Schwartzman, and Rupert Friend, who portray mountain climbers inspired by Montblanc’s products.
The ad transitions from the snowy Mont Blanc to a warm chalet, which required 50 takes. Anderson surprised Montblanc by presenting a prototype pen he designed, the Schreiberling, and requested its production. The company agreed to produce 1,969 pen copies, referencing Anderson’s birth year, 1969. Anderson’s career has evolved from his early days in Rushmore and The Royal Tenenbaums to influencing film and luxury goods industries.
The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!
I’m in a weird place as I write this today during the last week of school. The students are in a mad dash to finish everything, with the campus abuzz with field trips, award ceremonies, and the ever-present dread of some disruptive fire alarm going off just to upset the last few days or hours. I mentioned a fire drill since that’s how the last day of my first year of teaching ended. A freshman pulled the fire alarm right as the final bell rang, which made dismissal quite interesting; the high school parking lot was filled with fire trucks, and you had to wonder what the kid was trying to achieve. Everyone was already leaving; the timing was totally off.
As I plan for next year and prepare for my own doctoral work over the summer (yes, I see you, summer classes, and prospectus revision), I’m also thinking about the nuts and bolts of classroom instruction. How can we make small changes in our daily work to transform school from a place students have to be to a place they want to be?
I’ve been immersed in several pieces on music production recently. Had I stayed in the music world, I might have moved into producing.
Remind me to tell you about my musical journeys someday; there are some very good memories and some very, very bad ones.
When you’re recording, everything can affect your mix, including seemingly trivial things like the material of the walls and the amount of air in the space. Trust me, these details matter — just as the lighting and smell of your classroom matter. I’m on this train of thought because Steve Albini, one of the great punk rock producers, passed away recently. I’m thinking about Steve because, like me, he was an extraordinary dork and a feisty curmudgeon.
As much as he loved making music, he hated and questioned much about the music industry. “Surfer Rosa” is arguably one of the greatest rock albums ever, and he hated it, claiming the Pixies were, at best, a mildly entertaining college rock band. And don’t ask him about Steely Dan — just don’t.
Steve wanted to record the music and artists simply and honestly, including the mistakes. “I like to leave room for accidents or chaos,” he wrote to Nirvana when they attempted to hire him to produce the follow-up to “Nevermind.” This mindset is very much like the concerns of a teacher planning engaging learning experiences. Like a teacher, Steve wasn’t in it for the money. He told Nirvana he wanted to be paid like a plumber — doing a good job and getting paid for it — and had no interest in ongoing royalties. (Note: he still made way more than teachers, but hey, it’s the thought that counts.)
I will blame this random train of thought connecting music and school on my end-of-the-year reflection and nostalgia. What I work for every day is implementing simple shifts in our classrooms to make learning more meaningful for kids. It’s one of the reasons I like tools like the 4 Shifts Protocol; it helps facilitate those changes.
You can do all the professional development and coaching cycles in the world with teachers, give them access to every digital platform and tool, and send them to the most prestigious schools and conferences. But until you actually change the focus and intent of what you do in the classroom — from achieving some arbitrary learning goal to ensuring kids know how to choose a life path that works for them and developing those skills — we are always wasting our time, money, and effort.
As Steve said, nobody on Earth could make the Smashing Pumpkins sound like the Beatles. You’re never going to change schools until you change schools. The rest is just bonus points.
You were right if you thought you’d get a Pixies performance today. Here’s “Where is My Mind?” from Glastonbury 2014.
Long Read of the Day
Producers and engineers who use meaningless words to make their clients think they know what’s going on. Words like “Punchy,” “Warm,” “Groove,” “Vibe,” “Feel.” Especially “Punchy” and “Warm.” Every time I hear those words, I want to throttle somebody.
I figured I’d just include a link to Steve Albini’s “The Problem with Music” from 1993 here. It’s a great read and you’ll likely draw some parallels to education.
Video of the Day
While we’re at it, why don’t we take a tour of Steve Albini’s Electrical Audio studio in Chicago? I mean… why not? At about 6:35, you get to see the vent they cut in the floor to combine the air mass of the studio with the room below…
Final Thoughts
School ends on Friday. I wonder how nutty the rest of this week’s newsletters will be…
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An actual photo of the actual state of my books. And this isn’t all of them…
About two years ago, I admitted that I had a book problem. I’ve heard that the first step to overcoming a problem is admitting that you have one.
Plot twist: That didn’t work. I still have a book problem — a major one — and it’s starting to spread to other physical media.
Of course, all the Kindle books are rattling around the cloud because I can’t seem to choose a format and stick with it. Sometimes, I want to hold a physical book, and sometimes, I want to go digital.
Two years ago, my TBR on Goodreads was around 1,500 books. It’s floating around 3,000 now, which I know sounds ridiculous until you learn about the concept of the antilibrary, and then 3,000 books don’t seem like such a big deal.
Here’s the real issue: the school year is coming to a close, and I will have way more time to read than I have in the past few months, so I’m getting a little excited and have books on my mind all the time.
Or, maybe I’m still trying to make up for nearly 20 years of doing what other people thought I should do before figuring things out for myself. Maybe one day, I’ll figure it all out.
Until then, I’ll just keep reading…
Quote of the Day
“Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then the place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors.” -Umberto Eco, The Name of the Rose
Musical Interlude
I love Kacey Musgraves’ voice, and this cover of Keane’s Somewhere Only We Know provides ample room for her vocals.
Long Read of the Day
In our era of electronic communications, we’ve come to expect that important innovations will spread quickly. Plenty do: think of in-vitro fertilization, genomics, and communications technologies themselves. But there’s an equally long list of vital innovations that have failed to catch on. The puzzle is why.
I know you’ve been asking yourself, “I’d love to know they make Japanese swords — from the gathering of the iron sand to the smelting of the steel to the forging of the blade.
