Fight for your right to own media

photo of a vintage tv dvd player tapes and cassettes on a vintage cabinet
Photo by Julian Bracero on Pexels.com

Until recently, I was wholly moving toward all streaming media. I had unloaded a bunch of DVDs onto someone at Goodwill, along with some HD DVDs (yes, I chose poorly in the mid-2000s format wars). In my brain, I knew it was far easier to access my favorite films and TV shows through streaming or owning a digital copy.

Then, something changed. The tech bros decided that just because you had paid to own a copy of something didn’t necessarily mean you owned it; you were paying for the privilege of watching it when they’d let you.

And they could change their minds about that privilege any time they wanted.

This stance comes from the fact that when you buy physical media, copyright law says you own it, but streaming media is governed by “terms of service,” which none of us bother to read and are subject to change at any time.

What it boils down to is that you’re not actually buying the media; you’re purchasing a license to view or listen to it.

For me, the moment of change came when I wanted to plop down and rewatch some of Ron Moore’s excellent 2004 reimagining of Battlestar Galactica. Sadly, it’s nowhere to be found on streaming services now.

Damn, and blast, that was the final straw.

While stores are reducing or eliminating physical media, some of us refuse to give up, searching through eBay postings, local pawn & thrift shops, and online directories like Decluttr and Blu-ray.com to find great deals.

Also, great distributors like Kino Lorber and Arrow Video are continuing to release excellent films on physical media. Both services tend to serve niche audiences with an extensive back catalog–where else might you find a double feature Dr. Phibes set–and have decent pricing.

And you can’t forget about the Criterion Collection films, many of which you can find through Barnes & Noble–the company that just won’t give up in a battle with Amazon–to add to your collection at a great price.

Why am I going on about this? Because I believe what Ursula Franklin said, decades ago…

"Many technological systems, when examined for context and overall design, are basically anti-people. People are seen as sources of problems while technology is seen as a source of solutions." (Ursula Franklin, The Real World of Technology)

Streaming media services have become definitively anti-people. They really don’t care what we want, just that we keep paying for their service. The viewing options across streaming keep getting worse and worse, both in quality and quantity, and more services are combining to provide even fewer options for us lowly common folk.

The bottom line: buy physical media. More importantly, if you’re a creator, release your stuff on physical media. Teach our students about the value of owning something and not just renting it from someone else. Remind them that we must evaluate every technology to see if we are using it or if it is using us.


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Star Wars Time Jumps with The Acolyte

star wars the acolyte

Set some 100 years prior to the events of our beloved Skywalker Saga, The Acolyte provides a glimpse into the world of the High Republic.

I’m hoping this series compares well to the quality of Andor. Of course, we’re getting a Wookie Jedi, which might be worth it all.


Thanks for taking the time to read this post. If you’ve enjoyed the insights and stories, consider showing your support by subscribing to my weekly newsletter. It’s a great way to stay updated and dive deeper into my content. Alternatively, if you love audiobooks or want to try them, click here to start your free trial with Audible. Your support in any form means the world to me and helps keep this blog thriving. Looking forward to connecting with you more!

Oppenheimer

The full-length trailer for Christopher Nolan’s next film “Oppenheimer” is now available for viewing. It’s pretty fantastic.

The film focuses on Robert Oppenheimer, the brilliant physicist often called the “father of the atomic bomb.” The film draws from the book “American Prometheus” by Kai Bird and Martin J. Sherwin.

In the early 1940s, World War II was raging, and the US government had just launched the top-secret Manhattan Project. Its goal? To create the first atomic bomb. Enter Robert Oppenheimer, a genius with deep knowledge of theoretical physics. He was tasked with leading the scientific team at Los Alamos, New Mexico, to develop this deadly weapon.

Oppenheimer was known for his charisma and ability to bring together some of the brightest minds, like Enrico Fermi and Richard Feynman, to collaborate on this massive undertaking. The pressure was immense, as the project was a race against time and other countries to harness the power of nuclear fission.

Despite the challenges, Oppenheimer’s team succeeded, and on July 16, 1945, they witnessed the first atomic explosion in history – the Trinity Test. This changed everything; it was a game-changer in warfare, but it also weighed heavily on Oppenheimer’s conscience. He famously quoted from the Bhagavad Gita, saying, “Now I am become Death, the destroyer of worlds.”

Not long after, the atomic bombs were dropped on Hiroshima and Nagasaki, leading to Japan’s surrender and the end of World War II. But the ethical implications of these bombings were profound, and Oppenheimer struggled with the guilt of having played a key role in their development.

“American Prometheus” dives deep into the life and inner turmoil of Robert Oppenheimer, showing his brilliance, patriotism, and the painful consequences of his work. It’s a compelling story that makes us question the responsibility of scientists and governments in the pursuit of knowledge and power.

I’ve been looking forward to this one for quite a while because I find the story fascinating. The actions portrayed here still affect us today. Some lines I caught in the trailer speak to the haunting memory of these events…

“Our work here will ensure a peace mankind has never seen.”

“Until someone builds a bigger bomb.”

“You are the man who gave them the power to destroy themselves, and the world is not prepared.”

Oppenheimer releases on 21 July 2023.