Why Cellphone Bans Fail: Teens Always Find a Way

a person holding a kodak film camera
Photo by Zx Teoh on Pexels.com

From the Department of Banning Those Cell Phones Sure Did Wonders for No One comes a story out of South Carolina about… disposable cameras…

When South Carolina rolled out its statewide school cellphone ban this year, most stories focused on parents’ frustrations and kids’ grumbling. But at Woodland High School, one student decided to get creative.

Inspired by flipping through her mom’s old high school photo albums, Alianna Alston showed up with a disposable camera instead of a phone. The idea caught on fast—soon classmates were snapping candid moments without worrying about likes, filters, or notifications. “It was just straight happy vibes,” Alianna told Live 5 WCSC.

What started as a workaround to the ban has become something bigger: a way for students and teachers to connect, to capture real, unpolished moments, and to rediscover a technology that defined the ’90s and early 2000s. The humble disposable camera, once a vacation staple, is suddenly a symbol of presence in the age of digital distraction.

Of course, the irony here is delicious. Lawmakers ban cellphones to keep kids “focused,” and within weeks, teenagers are turning Kodak throwaways into a cultural moment. It’s almost like blanket bans don’t actually stop creativity, connection, or rebellion—they just reroute it. Students will always find ways to hack the system, bend the rules, and make something cool out of the scraps adults leave behind. Maybe that’s the real lesson: you can ban the phones, but you can’t ban the vibe.



The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!

Fugazi, GWAR, and a Teenage Cameraman: The DC Punk Archive Goes Online

photo of man playing guitar
Photo by Harrison Haines on Pexels.com

Between 1985 and 1988, a teenager named Sohrab Habibion lugged a bulky Betamax camera into punk and post-punk shows around Washington, DC. What he captured wasn’t slick production—it was sweaty clubs, blown-out sound, and raw energy. Decades later, his 60+ tapes have been digitized and uploaded to YouTube thanks to Roswell Films and the DC Public Library’s Punk Archive.

The collection is a time capsule: Fugazi tearing through songs a year before their first EP, the Descendents at their peak, the Lemonheads in their scrappy punk days, a feral GWAR in 1988, and even Dave Grohl behind the kit in Dain Bramage, years before Nirvana and Foo Fighters.

Habibion admits the footage is rough, shot by a teenager with no lighting and zero sound engineering—but that’s what makes it so authentic. It’s the kind of archival project that makes you wonder: how much of music history is still sitting in basements and closets, waiting to be rediscovered?



The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!

Wednesday Assorted Links

  1. Scientists Say They’ve Figured Out a Way to Turn Nuclear Waste Into a Powerful Fuel
  2. No, There is Not a Man Trapped Inside Chicago’s Bean
  3. With Space Junk on the Rise, Is a Catastrophic Event Inevitable?
  4. RFK Jr. Vowed to Find the Environmental Causes of Autism. Then He Shut Down Research Trying to Do Just That.


The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!

Tuesday Assorted Links

  1. Teachers Union Lawsuits in 5 States Challenge Private School Vouchers
  2. The AI Takeover of Education Is Just Getting Started (Lila Shroff)
  3. “No” is an option
  4. 20 Years After Katrina, Lessons from the Fight to Reopen New Orleans’ Schools


The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!

Democratizing AI in Education: David Wiley’s Vision of Generative Textbooks

generative textbooks

David Wiley is experimenting with what he calls generative textbooks — a mashup of OER (open educational resources) and generative AI. His core idea is:

What if anyone who can create an open textbook could also create an AI-powered, interactive learning tool without writing code?

From Open Content to Open AI-Driven Learning

For decades, Wiley has championed open education resources (OER)—teaching and learning materials freely available to adapt and share under open licenses like Creative Commons. With generative AI now in the mix, Wiley sees a unique opportunity to merge the participatory spirit of OER with the dynamic adaptability of language models.

The result? A new kind of learning tool that feels less like a dusty PDF and more like a responsive learning app—crafted by educators, powered by AI, and free for students to use.

The Anatomy of a Generative Textbook

Wiley’s prototype isn’t just a fancy textbook—it’s a modular, no-code authoring system for AI-powered learning. Here’s how it works:

  • Learning Objectives: Short, focused statements about what learners should master.
  • Topic Summaries: Context-rich summaries intended for the AI—not students—to ground the model’s responses in accuracy.
  • Activities: Learning interactions like flashcards, quizzes, or explanations.
  • Book-Level Prompt Stub: A template that sets tone, personality, response format (e.g., Markdown), and overall voice.

To build a generative textbook with ten chapters, an author creates:

  1. One book-level prompt stub
  2. Ten learning objectives (one per chapter)
  3. Ten concise topic summaries
  4. Various activity templates aligned with each chapter

A student then picks a topic and an activity. The system stitches together the right bits into a prompt and feeds it to a language model—generating a live, tailored learning activity.

Open Source, Open Models, Open Access

True to his roots, Wiley made the tool open source and prioritized support for open-weight models—AI models whose architectures and weights are freely available. His prototype initially sent prompts to a model hosted via the Groq API, making it easy to swap in different open models—or even ones students host locally.

Yet here’s the catch: even open models cost money to operate via API. And according to Wiley, most educators he consulted were less concerned with “open” and more with “free for students.”

A Clever—and Simple—Solution

Wiley’s creative workaround: instead of pushing the AI prompt through the API, the tool now simply copies the student’s prompt to their clipboard and directs them to whatever AI interface they prefer (e.g., ChatGPT, Gemini, a school-supported model). Students just paste and run it themselves.

There’s elegance in that simplicity:

  • No cost per token—students use models they already have access to.
  • Quality-first—they can choose the best proprietary models, not just open ones.
  • Flexibility—works with institution-licensed models or free-tier access.

Of course, there are trade-offs:

  • The experience feels disjointed (copy/paste instead of seamless).
  • Analytics and usage data are much harder to capture.
  • Learners’ privacy depends on the model they pick—schools and developers can’t guarantee it.

A Prototype, Not a Finished Product

Wiley is clear: this is a tech demonstration, not a polished learning platform. The real magic comes from well-crafted inputs—clear objectives, accurate summaries, and effective activities. Garbage in, garbage out, especially with generative AI.

As it stands, generative textbooks aren’t ready to replace traditional textbooks—but they can serve as innovative supplements, offering dynamic learning experiences beyond static content.

The Bigger Picture: Where OER Meets GenAI

Wiley’s vision reflects a deeper shift in education: blending open pedagogy with responsive AI-driven learning. It’s not just about access; it’s about giving educators and learners the ability to co-create, remix, and personalize knowledge in real time.

Broader research echoes this trend: scholars explore how generative AI can support the co-creation, updating, and customizing of learning materials while urging care around authenticity and synthesis.

Related Innovations in Open AI for Education

  • VTutor: An open-source SDK that brings animated AI agents to life with real-time feedback and expressive avatars—promising deeper human-AI interaction.
  • AI-University (AI‑U): A framework that fine-tunes open-source LLMs using lecture videos, notes, and textbooks, offering tailored course alignment and traceable output to learning materials.
  • GAIDE: A toolkit that empowers educators to use generative AI for curriculum development, grounded in pedagogical theory and aimed at improving content quality and educator efficiency.

Final Thoughts

David Wiley’s generative textbooks project is less about launching a product and more about launching possibilities. It’s a thought experiment turned demonstration: what if creating powerful, AI-powered learning experiences were as easy as drafting a few sentences?

In this vision:

  • Educators become prompt architects.
  • Students become active participants, selecting how they engage.
  • Learning becomes dynamic, authorable, and—critically—free to access.

That’s the open promise of generative textbooks. It may be rough around the edges now, but the implication is bold: a future where learning tools evolve with educators and learners—rather than being fixed in print.


Bonus reading & resources:



The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!

2,178 Digitized Occult Books: Strange Treasures for Authentic Learning

Curiosa Physica

In 2018, Dan Brown (yes, that Dan Brown of The Da Vinci Code) helped fund a project at Amsterdam’s Ritman Library to digitize thousands of rare, pre-1900 books on alchemy, astrology, magic, and other occult subjects. The result, cheekily titled Hermetically Open, is now live with 2,178 digitized texts—freely available in their online reading room.

At first glance, this might feel like a niche curiosity, the kind of thing best left to academics or fantasy novelists. But the truth is, these works are a goldmine for educators looking to spark authentic learning across disciplines. They’re messy, strange, multilingual (Latin, German, Dutch, French, and English), and they blur the boundaries between science, philosophy, medicine, and mysticism. And that’s exactly why they’re valuable.


Why Teachers Should Care

For a few hundred years, it was nearly impossible to separate theology, philosophy, medicine, and natural science from alchemy and astrology. Isaac Newton himself famously spent as much time on apocalyptic prophecies and alchemical experiments as he did on calculus and optics. To engage students with these texts is to remind them that knowledge has always been interdisciplinary, networked, and evolving.

That makes them perfect material for authentic learning and connectivist classrooms: students work with primary sources, make connections across fields, and grapple with how humans have always sought to explain the world.


How Different Subjects Can Use the Collection

English & Literature (HS & College):

  • Analyze archaic language, quirky spellings, and “long s” typography in original texts.
  • Compare occult poetry or allegories to Romantic and Gothic literature.
  • Use passages as mentor texts for student-created “modern grimoires” or magical realism writing.

History & Social Studies (MS–HS):

  • Trace how alchemy influenced the rise of modern chemistry.
  • Explore how astrology shaped political decisions in early modern Europe.
  • Debate the blurred lines between science and mysticism in intellectual history.

Science (HS Chemistry & Physics):

  • Contrast alchemical “recipes” with modern chemical equations.
  • Investigate how flawed models of the universe still paved the way for discovery.
  • Discuss how cultural context shapes what gets counted as “science.”

Art & Design (All Grades):

  • Study illuminated manuscripts and esoteric symbols as design inspiration.
  • Create modern visual interpretations of alchemical diagrams.
  • Explore symbolism as a universal language across time.

Philosophy & Civics (HS & College):

  • Debate the tension between hidden vs. open knowledge.
  • Compare Platonic philosophy, Christian theology, and occult traditions.
  • Examine how fringe ideas challenge (and sometimes advance) mainstream thinking.

Why It Matters

When students encounter these texts, they’re not just paging through dusty old curiosities. They’re stepping into a world where knowledge wasn’t siloed, where science, spirituality, and imagination lived side by side. For teachers, this is a chance to create assessments that matter—projects where students remix history, art, and science, using both ancient texts and modern tools like AI.

It’s weird. It’s wonderful. And it’s exactly the kind of resource that can make authentic learning feel alive.



The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!

Steve Wozniak Never Sold Out

I gave all my Apple wealth away because wealth and power are not what I live for. I have a lot of fun and happiness. I funded a lot of important museums and arts groups in San Jose, the city of my birth, and they named a street after me for being good. I now speak publicly and have risen to the top. I have no idea how much I have but after speaking for 20 years it might be $10M plus a couple of homes. I never look for any type of tax dodge. I earn money from my labor and pay something like 55% combined tax on it. I am the happiest person ever. Life to me was never about accomplishment, but about Happiness, which is Smiles minus Frowns. I developed these philosophies when I was 18-20 years old and I never sold out.

Steve Wozniak via Slashdot

Beyond Policing AI: Rethinking Assessment Through Authentic Learning and Connectivism

leon furze principles for assessment

Leon Furze makes an important case: if the best we can do in the age of AI is to tighten surveillance, we’ve already lost.

In all corners of education, we need to stop policing artificial intelligence and focus instead on designing better assessments. GenAI gives us an excuse to have these conversations. AI needs to prompt us to reflect on what matters most: validity, fairness, transparency and of course, learning.

Instead of treating generative AI as a threat to assessment, we should see it as a provocation—an opportunity to reimagine how we measure and value learning. His five principles (validity, reality, transparency, process, and professional judgement) are solid on their own, but when refracted through authentic learning and connectivism, they take on even sharper meaning.

1. Validity becomes authenticity.
Assessment validity isn’t just about matching standards to outcomes—it’s about ensuring that what students are asked to do actually matters. Authentic learning demands that assessments reflect the messy, interconnected problems students will face beyond school. A lab report, a policy pitch, or a podcast that connects with a real audience provides validity in a way a locked-down multiple-choice exam never will. AI doesn’t threaten that kind of assessment; it strengthens it, because students must decide how and when to use the tool responsibly within authentic contexts.

2. Designing for reality means designing for networks.
Furze’s “design for reality” principle resonates strongly with connectivism. The reality is that knowledge no longer lives solely inside a student’s head—it’s distributed across networks of people, resources, and technologies. An assessment that ignores that fact is already outdated. When we allow students to bring AI into the process (declared openly, as Furze suggests), we invite them to practice navigating networks of information, filtering noise from signal, and building connections that mirror the way knowledge flows in the real world.

3. Transparency and trust are relational, not transactional.
Authentic learning environments thrive on trust: teachers trust students to take risks, and students trust teachers to guide without over-policing. Connectivism reminds us that learning happens in community, and that means shared norms around how tools like AI are used. Instead of “thou shalt not” rules, we need open conversations: Why might you use AI here? When might it short-circuit your learning? Transparency becomes less about compliance and more about cultivating reflective practitioners who can articulate their choices.

4. Assessment as process = learning as ongoing connection.
If assessment is a process, not a point in time, then it looks less like a final judgment and more like a portfolio of evolving connections. Students don’t just demonstrate what they know; they show how they know, who they connect with, and how their thinking shifts over time. This is connectivism in action: learning is the ability to make and traverse connections, not the ability to store facts in isolation. AI can become part of that process—as a collaborator, a draft partner, or even a provocateur that challenges their assumptions.

5. Respecting professional judgement = empowering educators as designers.
Authentic learning doesn’t happen in lockstep with rigid policies; it requires teachers to design experiences that matter in their contexts. Connectivism reminds us that teachers are nodes in the network too, bringing their expertise, relationships, and creativity. Respecting professional judgement means trusting teachers to balance the affordances of AI with the human dimensions of belonging, curiosity, and care.

The big takeaway?
AI doesn’t invalidate assessment. It invalidates bad assessment. If the only way an assignment “works” is by pretending students live in a vacuum, disconnected from tools, networks, and communities, then it was never truly authentic to begin with.

For those of us who see learning as both deeply human and deeply networked, Furze’s five principles are a call to action: design assessments that honor authenticity, embrace connections, and prepare students for a world where knowledge is always evolving—and never isolated.

Here are a few ideas to get your creative mind going as you think about redesigning your assessments:

1. Color Mapping Across Disciplines (Art + Science)

Task: Students design a digital exhibit that compares different historical models of color (Newton’s circle, Munsell’s system, RGB cubes). They use AI tools to generate visualizations, then critique the limitations of each.

  • Authenticity: Color mapping is both a scientific and artistic problem. Students engage in real-world disciplinary practices.
  • Connectivism: Students link to a network of thinkers (Newton to Roussel), and share their exhibits with peers online.
  • AI Role: Visualization generator, comparison tool, but students must justify why a model matters for perception or art.

2. Community Podcast: Local Environmental Issues (ELA + Science + Civics)

Task: Students research a local environmental challenge (e.g., water quality, urban green space), create a podcast episode featuring expert interviews, and use AI to help with transcription, sound editing, and draft questions.

  • Authenticity: Students contribute to civic discourse in their community.
  • Connectivism: They learn from and connect with real experts and share publicly.
  • AI Role: Drafting interview questions, transcribing recordings, generating promotional materials—but students remain responsible for the core knowledge and ethical framing.

3. History “What If” Simulation (Social Studies)

Task: Students use AI to model counterfactual scenarios (e.g., “What if the printing press had been invented 200 years earlier?”). They must critique the AI’s reasoning, identify inaccuracies, and build their own historically valid narrative in response.

  • Authenticity: Historians often test counterfactuals to sharpen their understanding of cause and effect.
  • Connectivism: Students cross-reference scholarly works, archives, and even online history communities.
  • AI Role: Idea generator and foil—the flawed AI answers become a catalyst for deeper historical reasoning.

4. Entrepreneurial Pitch for a School Problem (Business + Math + Design)

Task: Students identify a real issue in their school (e.g., cafeteria waste, lack of study space), design a product/service solution, and pitch it to administrators or community members. AI is used for market research summaries, prototype visuals, or cost projections.

  • Authenticity: Mirrors real entrepreneurial problem-solving.
  • Connectivism: Students collaborate with community stakeholders and pitch to an authentic audience.
  • AI Role: Research and prototyping assistant, not a substitute for problem-finding or decision-making.

5. Literature in the Age of Machines (ELA)

Task: Students select a literary theme (identity, power, justice) and compare how a human-authored poem and an AI-generated poem tackle it. They publish a critical essay or multimedia piece reflecting on authorship, creativity, and meaning.

  • Authenticity: Engages with contemporary debates about art and authorship.
  • Connectivism: Students link across traditions—classic texts, modern scholarship, AI-driven art.
  • AI Role: Source of creative “texts” to analyze, not a replacement for analysis.

Why These Work

Each task:

  • Builds validity by aligning with standards and real-world practices.
  • Designs for reality, where AI is part of the workflow.
  • Encourages transparency—students must declare and justify how they used AI.
  • Emphasizes process, not just a single product.
  • Relies on teacher judgment to guide reflection and assess growth.


The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!

Teaching the Unmappable: Why Color Defies Easy Charts

For centuries, scientists, artists, and philosophers have tried to pin down a “perfect” way to map color. But here’s the problem: color isn’t just physics, and it isn’t just perception—it’s both. Try to squeeze it into a neat geometric model, and you’ll quickly realize it refuses to stay put.

That’s what makes French video essayist Alessandro Roussel’s latest ScienceClic piece so fascinating for educators. He takes us from Isaac Newton’s prism experiments all the way to modern models of hue, brightness, and saturation. Along the way, he shows why there isn’t just one map of color, but many. Each communicates something different about how humans experience this slippery phenomenon.

So what’s the classroom connection?

  • In art: Students can compare different models of color—Newton’s circle, Munsell’s tree, the modern RGB cube—and reflect on how each changes the way we think about mixing, matching, or designing with color.
  • In science: Teachers can use these models to illustrate how physics collides with perception. Why do two people see the “same” red differently? How does light wavelength interact with the human eye and brain?
  • In interdisciplinary projects: Color mapping opens doors to conversations about how humans create systems to explain the unexplainable. It’s a perfect bridge between STEM and the humanities.

And then comes the kicker for students who think we’ve “solved” everything already: scientists recently managed to engineer a new, so-called impossible color called ‘olo’—a shade outside the traditional visible spectrum.

It’s a reminder that color isn’t just a solved equation or a finished wheel. It’s a living, shifting puzzle that still invites curiosity, wonder, and experimentation.

Imagine giving your students that as a challenge: If color can’t be mapped perfectly, what’s your best attempt?



The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!

Can an App Cure Math Anxiety? Duolingo Thinks So.

Duolingo

Most of us have heard (or said) the phrase: “I’m just not a math person.”
Duolingo—the same company that made millions of people practice Spanish while waiting in line at Starbucks—is on a mission to change that story.

You probably know Duolingo as the language app with the slightly unhinged green owl who won’t let you forget your streak. But since 2022, Duolingo has been quietly building something new: a math course. And just like its approach to languages, the company believes it can make math more approachable, less intimidating, and maybe even fun.


Why Math? Why Now?

According to Samantha Siegel, the engineer leading Duolingo’s math push, the choice to focus on 3rd grade and up wasn’t random. Around that age, kids hit fractions—and that’s where things start to go sideways for a lot of learners. Fractions are a gateway. Struggle there, and the rest of math often feels like a foreign language.

Duolingo’s idea: treat math like a language. Build fluency through small, repeatable practice. Create low-stakes games. Give immediate feedback. And—most importantly—reduce the anxiety that creeps in when kids (and adults) start believing math is beyond them.


How It Works

If you’ve ever tapped your way through Spanish verbs or French phrases, the math experience feels familiar—but with some clever twists:

  • Dynamic problems: Lessons refresh with new numbers every time, so you’re not memorizing answers—you’re actually practicing.
  • Interactive input: Instead of multiple choice, you might drag the corners of a rectangle to measure area, or handwrite a fraction into the screen.
  • Visual learning: Geometry isn’t just explained; it’s something you manipulate on the screen.

In other words, the app tries to ground abstract math ideas in movement, visuals, and play.


Tackling Math Anxiety Head-On

Here’s the thing: math anxiety is real, and it’s not just about ability—it’s about confidence. When kids (or adults) tense up at the first sight of an equation, their brains literally struggle to process what’s in front of them.

Duolingo’s bet is that by gamifying the experience, they can lower the stakes. Just like the app makes it totally fine to get a French verb wrong, it’s trying to make it okay to fumble a fraction. In a classroom context, that shift could matter—a lot.


Where It Stands Today

The math course is now baked right into the main Duolingo app, alongside language and even music lessons. Learners can keep their streak going across subjects—whether they’re conjugating verbs, strumming chords, or multiplying fractions. Duolingo hasn’t shared exact numbers, but we’re talking millions of math users already.

And it’s not just for kids. Plenty of adults are using it too—either to brush up on long-forgotten basics or to help their kids without pulling out dusty textbooks.


What This Means for Educators

Is Duolingo going to replace teachers? Of course not. But as a supplemental tool, it’s promising. It gives students a way to practice math outside the classroom that feels a lot more like a game than homework. It also gives parents an accessible, non-threatening entry point into supporting their kids’ learning.

The bigger story here is the attempt to reframe math itself. If Duolingo can help chip away at the “I’m not a math person” narrative—if it can make math feel just a little more like a game and a little less like a stress test—that’s a win.


Final Thought

Duolingo isn’t just teaching fractions and geometry; it’s trying to rewrite how learners feel about math. And in a world where math anxiety holds so many students back, that mission might matter even more than the streaks.

Maybe, just maybe, the next time someone says “I can’t do math,” we’ll have an owl to thank for proving them wrong.



The Eclectic Educator is a free resource for everyone passionate about education and creativity. If you enjoy the content and want to support the newsletter, consider becoming a paid subscriber. Your support helps keep the insights and inspiration coming!